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Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.

Church music --- Public worship --- Protestant churches. --- Social aspects

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Music in the Carolingian World' stems from a conference honoring the career and wide-ranging research of Prof. Charles M. Atkinson, leading scholar in early-medieval studies and author of the award-winning monograph, 'The Critical Nexus' (2010). The volume brings together seventeen essays to explore the broad ramifications of music as an arena of study in early-medieval culture; taken together, they manifest the status of music not just as a field of research, but as a metadiscipline that embraces numerous fields and specializations in medieval studies, including philosophy, theology, literature, philology, paleography, liturgy, education, political and institutional history, as well as the practice, theory, and transmission of chant and related musical repertories. The essays are grouped into the four thematic categories of 'Verbum', 'Numerus', 'Ars', and 'Cultus', bookended by three keynote essays that touch in different ways on the theme of metadisciplinarity

Musique --- Manuscrits musicaux --- Music --- Music theory --- Church music --- Learning and scholarship --- Gregorian chants --- Théorie musicale --- Musique d'église --- Savoir et érudition --- Chant grégorien --- History and criticism. --- History --- Catholic Church --- Histoire et critique. --- Histoire --- Église catholique

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The second volume of the New Senfl Edition (NSE) provides thesecond half of the motets for four voices and includes manyhitherto unknown works by Senfl (some of them fragments),renowned motets, such as Senfl’s Nisi Dominus, or thepolyphonic setting of Non moriar sed vivam, which Senfl sent to Martin Luther in 1530 as a consolation. Editions will also render three Salve settings (including a Christological adaption), a multitextedRegina caeli, as well as nearly all of Senfl’s humanist motets (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni)accessible. The Critical Reports accompanying the editions offer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on thehistory of each composition. Der zweite Band der New Senfl Edition (NSE) stellt die zweiteHälfte der vierstimmigen Motetten zur Verfügung und beinhaltet zahlreiche bislang unbekannte Werke (darunter mehrere fragmentarisch erhaltene Stücke), bekannte Motetten wie Senfls Nisi Dominus oder das als Trostmotette an Martin Luther 1530 gesandte Non moriar sed vivam. Darüber hinaus macht die Edition drei Salve-Vertonungen zugänglich (darunter eine christologische Adaption des marianischen Textes), ein mehrtextiges Regina caeli, und nahezu Senfls sämtliche humanistische Motetten (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni). Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einenwerkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history

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"How did an unmusical saint come to be portrayed as a musician and become the patron saint of musicians and music? Until the beginning of the fifteenth century, Saint Cecilia was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. Why did so many composers start writing music that honored her as their patron saint? In this book, John A. Rice argues that Cecilia's association with music came about in several stages, involving Christian liturgy, visual arts, and music, and fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. The initial chapters explore the cult of the saint in Medieval times and through the sixteenth century, when, starting in 1502, the first guilds in the Low Countries and France chose Cecilia as their patron. The book then turns to the music and the explosion of polyphonic vocal works written in Cecilia's honor between 1530 and 1620 by the most celebrated composers in Europe, as well as a group of about fifty Cecilian Renaissance motets, mostly by Northern European composers, which are brought together here for the first time. The book also explores the wealth of visual representations of Saint Cecilia especially during the Italian Renaissance, among which Raphael's 1515 painting, "The Ecstasy of Saint Cecilia," is but the most famous example, and concludes with the development of the cult of Cecilia in England. Thoroughly researched and beautifully illustrated, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical inspiration"--

Music --- Motets --- Church music --- Christian saints in art --- Art, Renaissance --- History and criticism --- Cecilia, --- Songs and music --- History and criticism. --- In art. --- Cult. --- Renaissance art --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Motet --- Religious aspects --- Christianity --- Cäcilia, --- Caecilia, --- Cecelia, --- Cécile, --- Cecily, --- Cecylia, --- Iconography --- music [performing arts] --- patron saints --- Renaissance --- Cecilia [s.] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- kunst en godsdienst --- music [performing arts genre]

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The third volume of the Neue Senfl Edition (NSE) publishes all five-part motets for the first time. In addition to well-known motets such as Ave, Rosa sine spinis or the five-part version of Senfl's Nisi Dominus, it also contains numerous first editions (such as the monumental Te Deum) and provides valuable insights into Senfl's handling of the tradition of combining several texts in one composition. The critical reports accompanying the edition provide information about the texts, the chorale models, the evaluation of the sources (including a synoptic presentation of the readings) as well as the work-historical context of each motet. Der dritte Band der New Senfl Edition (NSE) publiziert erstmals sämtliche fünfstimmigen Motetten. Er beinhaltet neben bekannten Motetten wie Ave, Rosa sine spinis oder der fünfstimmigen Fassung von Senfls Nisi Dominus auch zahlreiche Ersteditionen (wie etwa das monumentale Te Deum) und gibt anhand von mehreren Motetten Aufschluss über den Umgang mit der Tradition mehrere Texte in einer Komposition zu kombinieren. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einen werkgeschichtlichen Kontext.

Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Performance practice (604003) --- ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002) --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Aufführungspraxis (604003) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002)